Nights in Rodanthe (novel) - Writing

Writing

Sparks developed the rudiments of Nights in Rodanthe while he was writing his fourth novel, The Rescue. He said that he contemplated writing "another short love story ... that harkens back to poignant emotional intensity of The Notebook", his first published novel. Unlike his other works, Nights in Rodanthe was not inspired by a specific person who was involved in Sparks' life; the story drew upon an incident when his mother-in-law requested as a Christmas present that her name and that of her husband, Paul, would appear in a Sparks novel. So Sparks worked on a story that his in-laws would "not only enjoy, but not offend them as well".

Sparks encountered difficulties; it "just didn't seem to come together". For Sparks, there should be an "element that the characters apart in order to have drama". Throughout Sparks' career, he has attempted to not use the same element twice, so it had become harder for him to write each new novel. He comments, "If I don't have the 'conflict', I don't have the story, and for the life of me, I couldn't come up with something new to keep the characters apart. ... I also wanted to write a story using older characters, again because it's something I haven't done (with the exception of The Notebook, in which they're elderly, not middle-aged)."

Sparks diverted his attention by working on A Bend in the Road, his fifth novel, and the first draft of The Guardian, which succeeded the release of Nights in Rodanthe. However, The Guardian imposed a "tremendous challenge" to Sparks, and he reckoned it would require a "great deal of re-writing". He was tired of writing the novel and needed a break from it.

So Sparks returned to Nights in Rodanthe: "My mind then returned to the story I'd been thinking about, and suddenly everything began to click. Within days, I suddenly knew exactly how to tell the story. I knew the characters, the setting, and especially and most importantly, the 'conflict' that would keep the characters apart." Sparks started writing the novel in December 2001. He finished the draft in February 2002, and editing continued until April of the same year.