Music
While only six of his works survive with reliable attribution, the recent reevaluation of a four-voice setting of the De profundis (Psalm 130) (long attributed to Josquin des Prez) gives evidence of his quality as a composer.
Champion's surviving music includes two masses, both for five voices: Missa Maria Magdalena and Missa Ducis saxsonie: Sing ich niet wol; two psalm motets, one for four and one for six voices; and a secular song, Noch weet ick, in Dutch. The setting of De profundis, long attributed to Josquin, is relatively well-known: for example, Grout and Palisca's History of Western Music, often used in college music history courses, gives it as an example of Josquin's late style. The famous copyist Pierre Alamire attributed it to Champion in its earliest extant source, the manuscript VienNB Mus 15941, and the case has recently been made that the attribution should remain with Champion, for stylistic reasons.
Stylistically his music is similar to Josquin's in many respects, including its large-scale tonal organization, use of motifs and paraphrase, and motivic development. In addition he used florid, rhythmically active textures with many layers.
Read more about this topic: Nicolas Champion
Famous quotes containing the word music:
“If I could believe the Quakers banned music because church music is so damn bad, I should view them with approval.”
—Ezra Pound (1885–1972)
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“Thy remembrance, and repentance, and deep musings are not free
From the music of two voices and the light of one sweet smile.”
—Percy Bysshe Shelley (1792–1822)