Nicholas Okes - Life and Work

Life and Work

Okes was the son of a "horner," a man who made hornbooks for the elementary education of small children; Okes's grandfather may have been a lute player. Nicholas Okes began his apprenticeship with printer Richard Field at Christmas 1595. He was made a "freeman" (full member) of the Stationers Company on 5 December 1603. His career advanced in 1606, in connection with the printing establishment of George and Lionel Snowden; Lionel left the firm and Okes took the man's place as George Snowden's partner (29 January 1606). Snowden in turn left the business on 13 April 1607, when Okes bought him out. Okes continued to use the Snowden's characteristic device, a winged horse above a caduceus (as on the title page of Lear, Q1) — though he later used an ornament of Jupiter riding an eagle between two oak tress.

The Snowden firm was long-standing, having been founded in 1586 by Thomas Judson; though at the start Okes possessed only a single press, two workmen, and a limited supply of type. Over time, however, Okes built a successful concern.

In February 1624, at St. Faith's in London, Okes married Mary Pursett, daughter of a fellow stationer, Christopher Pursett.

In a career that spanned more than three decades, Okes printed materials on a wide variety of subjects: history, literature, religion, science and mathematics, trade, travel, geography, cartography, even cookbooks. Yet his play texts have attracted the lion's share of attention from scholars, critics, and bibliographers.

Read more about this topic:  Nicholas Okes

Famous quotes containing the words life and work, life and/or work:

    Films and gramophone records, music, books and buildings show clearly how vigorously a man’s life and work go on after his “death,” whether we feel it or not, whether we are aware of the individual names or not.... There is no such thing as death according to our view!
    Martin Bormann (1900–1945)

    All my life I believed I knew something. But then one strange day came when I realized that I knew nothing, yes, I knew nothing. And so words became void of meaning ... I have arrived too late at ultimate uncertainty.
    Ezra Pound (1885–1972)

    ... actresses require protection in their art from blind abuse, from savage criticism. Their work is their religion, if they are seeking the best in their art, and to abuse that faith is to rob them, to dishonor them.
    Nance O’Neil (1874–1965)