New York City Police Museum
The New York City Police Museum (NYCPM) celebrates the history and contributions of the New York City Police Department, established in 1845. The museum is located in Lower Manhattan in New York City, near Wall Street and the South Street Seaport. While one of the museum's primary focuses is a memorial to September 11th, the museum contains a wide range of information on the history of the NYPD. The museum, which grew from a gallery housed at the New York City Police Academy, opened at 26 Broadway at Bowling Green in January 2000 and re-opened in a new location at 100 Old Slip, former home of the First Precinct, in January 2002.
It also allows visitors to simulate a police firefight, and judges whether or not the shooting was correct, allowing civilians to have some understanding of situations that police face and provide them with a better understanding of the work of police officers than that provided by the media. Its exhibits are not without controversy, and city historians have accused the museum of omitting coverage of more controversial aspects of NYPD history.
Read more about New York City Police Museum: History
Famous quotes containing the words york, city, police and/or museum:
“New York is something awful, something monstrous. I like to walk the streets, lost, but I recognize that New York is the world’s greatest lie. New York is Senegal with machines.”
—Federico García Lorca (1898–1936)
“... Washington was not only an important capital. It was a city of fear. Below that glittering and delightful surface there is another story, that of underpaid Government clerks, men and women holding desperately to work that some political pull may at any moment take from them. A city of men in office and clutching that office, and a city of struggle which the country never suspects.”
—Mary Roberts Rinehart (1876–1958)
“Despite the hundreds of attempts, police terror and the concentration camps have proved to be more or less impossible subjects for the artist; since what happened to them was beyond the imagination, it was therefore also beyond art and all those human values on which art is traditionally based.”
—A. Alvarez (b. 1929)
“[A] Dada exhibition. Another one! What’s the matter with everyone wanting to make a museum piece out of Dada? Dada was a bomb ... can you imagine anyone, around half a century after a bomb explodes, wanting to collect the pieces, sticking it together and displaying it?”
—Max Ernst (1891–1976)