New Media Council

The New Media Council was formed by the Producers Guild of America (PGA) in 2002, in order to recognize, represent, and protect producers working in emerging media such as DVDs, broadband and mobile entertainment, interactive television and video games.

The PGA protects and promotes the credit and role of the entertainment producer. In January 2001, following a series of summits that brought together members of the new media and traditional producing communities, producer Marc Levey spearheaded an initiative to revise the PGA constitution to provide for the representation of New Media producers. This led to the formation of the New Media Council. Since its formation, the Council has sought to identify and address issues relevant to New Media and the PGA. These include how "new media" should be defined, and how the role of a new media producer differs from or is similar to its counterpart in traditional media, recognizing that medium must serve the story and not the other way around.

On April, 5, 2010 the Producers Guild of America Board of Directors officially approved its New Media Code of Credits, adding twenty-six major new credits to cover new media producers. The code is significant in that it marks the first time the Producers Guild of America recognized new media producer industry credits and responsibilities in Broadband, DVD/Blu-ray, Animation, Games (console and online), Mobile, Digital Visual Effects, iTV (interactive/enhanced Television), Special Venues, and Transmedia.


Read more about New Media Council:  See Also

Famous quotes containing the words media and/or council:

    One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.
    Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)

    I haven’t seen so much tippy-toeing around since the last time I went to the ballet. When members of the arts community were asked this week about one of their biggest benefactors, Philip Morris, and its requests that they lobby the New York City Council on the company’s behalf, the pas de deux of self- justification was so painstakingly choreographed that it constituted a performance all by itself.
    Anna Quindlen (b. 1952)