Features
One of the most imposing features of the new Hall was its tower, based on Tom Tower at Christchurch in Oxford. The house had several grand reception rooms including a dining room, drawing room, library and morning room, seven palatial bedrooms, three dressing rooms, two nurseries and one bathroom in addition to a boudoir and gentlemans W.C. There were servants quarters including four servants bedrooms, a back staircase, a lumber room and butlers pantry as well as extensive kitchens and cellarage. The large entrance hall was adorned by a vast oak staircase and contained an ancient chimney piece, allegedly from Kenilworth Castle. All of the interior decoration was carried out by Lamb & Co who were renowned for their work on Royal properties. Stained glass windows were supplied by Hardman & Co. of Birmingham.
The grounds were landscaped at vast expense and included the digging, by hand, of a lake. A few hundred feet from the main hall was built an enormous walled rose and vegetable garden, a significant part of which is still present. Along one side of the enclosure was a huge glass house measuring over 80 feet (24 m) in length, incorporating a vinery and peach and nectarine houses. Outside the walled garden was stabling for seven horses, plus coaches.
At the time of construction, the Hall incorporated the latest in technology and conveniences including a gas generating plant to provide for the cooking and lighting needs of the main Hall. The main hall also had running water allowed for by a large cast iron cistern mounted in the loft space which was filled by a hydraulic ram.
Read more about this topic: New Berry Hall
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Or broken its white neck of mushroom stuff
Short off, and died against the windowpane.””
—Robert Frost (1874–1963)
“Art is the child of Nature; yes,
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—Henry Wadsworth Longfellow (1807–1882)
“The features of our face are hardly more than gestures which force of habit made permanent. Nature, like the destruction of Pompeii, like the metamorphosis of a nymph into a tree, has arrested us in an accustomed movement.”
—Marcel Proust (1871–1922)