Composition
"Never Again" is a pop-rock song with a length of 3:37 (3 minutes and 37 seconds). The song differs from her previous releases, in that it maintains a sound heavily influenced by rock music and centers around dark angry lyrics. It also incorporates elements of electro and arena rock. "Never Again" consists of ringing guitar riffs, faux-strings, Queens of the Stone Age-style drums, and sharp vocals. The song has been described as an embittered anthem about the end of a relationship. Clarkson, in an interview with MTV, has cited Alanis Morissette's 1995 single "You Oughta Know" and Pat Benatar as influences for the record. According to her, someone at her label disliked the song because it was too similar to Benatar's music. "I was like, 'Now I really like it! I love her, and what's wrong with you?'", Clarkson said. "I love any kind of rock chick who's just totally into what she's doing. What's funny is that we now think of her as a rock icon, but she was pretty pop as well. And I'm pretty pop too — I'm a rock/pop girl, which is cool with me."
According to the digital music sheet published at Musicnotes.com by Alfred Publishing Company, Inc, it is written in the key of G minor. The song is set in common time a follows a moderately fast tempo of 138 beats per minute. Clarkson's vocals ranged from G3 to an E♭5. Many critics made comparisons to "Since U Been Gone" (Breakaway, 2004). Tina Mrazik of Yahoo! Music compared it to "Since U Been Gone", commenting its similarity in regard to vocals. Sal Cinquemani of Slant Magazine describes "Never Again" as a slightly harder and less immediate version of the entire Breakaway album.
Read more about this topic: Never Again (Kelly Clarkson Song)
Famous quotes containing the word composition:
“The composition of a tragedy requires testicles.”
—Voltaire [François Marie Arouet] (1694–1778)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)
“Those Dutchmen had hardly any imagination or fantasy, but their good taste and their scientific knowledge of composition were enormous.”
—Vincent Van Gogh (1853–1890)