Culture
Further information: Art and architecture of Assyria and Ancient Assyrian religionSeveral of the most ancient works of Mesopotamian literature are best preserved in Neo-Assyrian copies. Thus, there are 7th century copies of both the Epic of Gilgamesh and the Enûma Eliš from Ashurbanipal's library in Nineveh, as well as Neo-Assyrian versions of the Atra-Hasis.
Neo-Assyrian cuneiform is the final stage of the long evolution of the cuneiform script. The number of glyphs was reduced, and the glyph shapes were standardized and simplified, so that modern cuneiform sign inventories are usually based on the Neo-Assyrian glyph shapes. Neo-Assyrian cuneiform remained in use alongside the Aramaic alphabet well into Parthian times. The Aramaic language from the 8th century BC was adopted as the Lingua Franca of the Assyrian Empire and continued by the Achaemenid Empire, and Assyrian scribes are often depicted in pairs. One writing in Akkadian on the cuneiform tablet, the other writing in Aramaic on the parchment or papyrus.
The main cities that existed in Assyria itself were; Nineveh, Ashur, Kalhu (Calah, Nimrud), Sippar, Opis, Arrapkha (Kirkuk), Harran, Arbela (Erbil) and Ekallatum. Outside of Assyria proper, major cities at various times under Assyrian domination were; Babylon, Damascus (Dimashq), Thebes, Memphis Tyre, Sidon, Ecbatana, Hattusa, Jerusalem, Susa, Persepolis, Carchemish, Sardis, Ur, Uruk, Nippur and Antioch.
At the end of the Bronze Age, Nineveh was much smaller than Babylon, but still one of the world's major cities (population ca. 33,000). By the end of the Neo-Assyrian period, it had grown to a population of some 120,000, and was possibly the largest city of that time. All free male citizens were obliged to serve in the army for a time, a system which was called the ilku-service. The Assyrian law code, notable for its repressive attitude towards women in their society, was compiled during this period.
Read more about this topic: Neo-Assyrian Empire
Famous quotes containing the word culture:
“Here in the U.S., culture is not that delicious panacea which we Europeans consume in a sacramental mental space and which has its own special columns in the newspapers—and in people’s minds. Culture is space, speed, cinema, technology. This culture is authentic, if anything can be said to be authentic.”
—Jean Baudrillard (b. 1929)
“I wish to speak a word for Nature, for absolute freedom and wildness, as contrasted with a freedom and culture merely civil,—to regard man as an inhabitant, or a part and parcel of Nature, rather than as a member of society. I wish to make an extreme statement, if so I may make an emphatic one, for there are enough champions of civilization: the minister and the school committee and every one of you will take care of that.”
—Henry David David (1817–1862)
“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
—Herbert J. Gans (b. 1927)