Collection
The Gallery has a large and varied collection of paintings, drawings, sculpture and photographs. Although its focus is on Canadian art, it holds works by many noted American and European artists. It has a strong contemporary art collection with some of Andy Warhol's most famous works. In 1990 the Gallery bought Barnett Newman's Voice of Fire for $1.8 million, igniting a storm of controversy. Since that time its value has appreciated sharply, however. In 2005, the Gallery acquired a painting by Italian Renaissance painter Francesco Salviati for $4.5 million.
In 2005, a sculpture of a giant spider, Louise Bourgeois's Maman, was installed in the plaza in front of the Gallery. In 2011 the gallery installed Canadian sculptor Joe Fafard's Running Horses next to the Sussex Drive entrance, and American artist Roxy Paine's stainless steel sculpture One Hundred Foot Line in Nepean Point behind the gallery.
The Canadian collection, the most comprehensive in Canada, holds works by Tom Thomson, the Group of Seven, Emily Carr, Alex Colville, Jean-Paul Riopelle and Louis-Philippe Hébert.
The Gallery organizes its own exhibits which travel across Canada and beyond, and hosts shows from around the world, often co-sponsored with other national art galleries and museums.
The Gallery's collection has been built up through purchase and donations. Much of the collection was donated, notably the British paintings donated by former Governor General Vincent Massey and that of the Southam family.
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Famous quotes containing the word collection:
“The Nature of Familiar Letters, written, as it were, to the Moment, while the Heart is agitated by Hopes and Fears, on Events undecided, must plead an Excuse for the Bulk of a Collection of this Kind. Mere Facts and Characters might be comprised in a much smaller Compass: But, would they be equally interesting?”
—Samuel Richardson (1689–1761)
“Our society is not a community, but merely a collection of isolated family units.”
—Valerie Solanas (b. 1940)
“The society would permit no books of fiction in its collection because the town fathers believed that fiction ‘worketh abomination and maketh a lie.’”
—For the State of Rhode Island, U.S. public relief program (1935-1943)