Literary Career
Ragen’s first three novels describe the lives of ultra-Orthodox Jewish women in Israel and the United States, dealing with themes that had not previously been addressed in that society's literature: wife-abuse (Jephte’s Daughter: 1989), adultery (Sotah: 1992) and rape (The Sacrifice of Tamar: 1995). Reaction to these novels in the Orthodox and ultra-Orthodox communities was mixed. Some hailed her as a pioneer for exposing problems which the communities had pretended did not exist, while others criticized her for “hanging out the dirty laundry” for all to see.
Her next novel (The Ghost of Hannah Mendes: 1998) is the story of a Sephardic family brought back from assimilation by the spirit of their ancestor Gracia Mendes, a 16th-century Portuguese crypto-Jew.
Chains Around the Grass (2002) is a semi-autobiographical novel dealing with the failure of the American dream.
In The Covenant (2004) Ragen deals with an ordinary family confronted with Islamic terrorism.
The Saturday Wife (2007), the story of a rabbi's wayward wife, is loosely based on Flaubert’s Madame Bovary, and is a satire of modern Jewish Orthodoxy.
The Tenth Song (2010), is the story of a family whose life is shattered when a false accusation of terrorism is made against the father.
Women’s Minyan (2001) is a play about a Haredi woman fleeing from her adulterous and abusive husband. She finds that he has manipulated the rabbinical courts to deprive her of the right to see or speak to her twelve children. The story is based on a true incident.Women’s Minyan ran for six years in Habima (Israel's National Theatre) and has been staged in the United States, Canada and Argentina.
Ragen is also a columnist for The Jerusalem Post.
Read more about this topic: Naomi Ragen
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