Television and Film
In the mid-1940s, Fabray worked regularly for David Sarnoff and NBC on a variety of programs in the Los Angeles area. In the late 1940s and early 1950s, she made her first high-profile national television appearances performing on a number of variety programs such as The Ed Sullivan Show, Texaco Star Theater, and The Arthur Murray Party. She also appeared on Your Show of Shows as a guest star opposite Sid Caesar. She appeared as a regular on Caesar's Hour from 1954–1956, winning three Emmys. Fabray left the show after a misunderstanding when her business manager, unbeknown to her, made unreasonable demands for her third season contract. Fabray and Caesar did not reconcile until years later.
Fabray appeared as the mother of the main character on television series such as One Day at a Time, The Mary Tyler Moore Show, and Coach, where she played mother to real-life niece Shelley Fabares. She also made appearances on The Carol Burnett Show, Burke's Law, Love, American Style, Maude, The Love Boat, What's My Line?, and Murder, She Wrote. Her brief, eponymously-titled 1961 comedy series was cancelled after 13 episodes. On the PBS program Pioneers of Television: Sitcoms, Mary Tyler Moore credited Fabray with inspiring her trademark comedic crying technique.
In 1953, Fabray played her most well-known screen role as a Betty Comden-like playwright in MGM's The Band Wagon with Fred Astaire and Jack Buchanan. The film featured Fabray, Astaire, and Buchanan performing the classic musical number "Triplets", which was included in That's Entertainment Part II. Additional film credits include The Subterraneans (1960), The Happy Ending (1969), Harper Valley PTA (1978), Amy (1981), and Teresa's Tattoo (1994).
Fabray's most recent work was in 2007, when she appeared in The Damsel Dialogues, an original revue by composer Dick de Benedictus, with direction/choreography by Miriam Nelson. The show, which was performed at the Whitefire Theatre in Sherman Oaks, California, focused on women's issues with life, love, loss, and the workplace.
Read more about this topic: Nanette Fabray
Famous quotes containing the words television and, television and/or film:
“His [O.J. Simpsons] supporters lined the freeway to cheer him on Friday and commentators talked about his tragedy. Did those people see the photographs of the crime scene and the great blackening pools of blood seeping into the sidewalk? Did battered women watch all this on television and realize more vividly than ever before that their lives were cheap and their pain inconsequential?”
—Anna Quindlen (b. 1952)
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving ones ordinary surroundings, soap operas are in fact spatially inseparable from the rest of ones life. In homes where television is on most of the time, they are also temporally integrated into ones real life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)
“Film is more than the twentieth-century art. Its another part of the twentieth-century mind. Its the world seen from inside. Weve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if theres anything about us more important than the fact that were constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)