Playing
The saw is generally played seated with the handle squeezed between the legs, and the far end held with one hand. Some sawists play standing, either with the handle between the knees and the blade sticking out in front of them, or with the handle under the chin (like a violin). The saw is usually played with the serrated edge, or teeth facing the body, though some players face them away. Some saw players file down the teeth for added comfort. To sound a note, a sawist first bends the blade into an S-curve. The parts of the blade that are curved are damped from vibration, and do not sound. At the center of the S-curve a section of the blade remains relatively flat. This section, the "sweet spot", can vibrate across the width of the blade, producing a distinct pitch: the wider the section of blade, the lower the sound. Sound is usually created by drawing a bow across the back edge of the saw at the sweet spot, or sometimes by striking the sweet spot with a mallet. The sawist controls the pitch by adjusting the S-curve, making the sweet spot travel up the blade (toward a thinner width) for a higher pitch, or toward the handle for a lower pitch. Harmonics can be created by playing at varying distances on either side of the sweet spot. Sawists can add vibrato by shaking one of their legs or by wobbling the hand that holds the tip of the blade. Once a sound is produced, it will sustain for quite a while, and can be carried through several notes of a phrase.
Read more about this topic: Musical Saw
Famous quotes containing the word playing:
“Andy passes through things, but so do we. He sat down and had a talk with me. “You gotta decide what you want to do. Do you want to keep just playing museums from now on and the art festivals? Or do you want to start moving into other areas? Lou, don’t you think you should think about it?” So I thought about it, and I fired him.”
—Lou Reed (b. 1944)
“And there were present
the Picninnies,
and the Jobillies,
and the Garyulies,
and the great Panjandrum himself,
with the little round button at top;
and they all fell to playing the game
of catch-as-catch-can,
till the gunpowder ran out at the heels of their boots.”
—Samuel Foote (1720–1777)
“Sometimes, because of its immediacy, television produces a kind of electronic parable. Berlin, for instance, on the day the Wall was opened. Rostropovich was playing his cello by the Wall that no longer cast a shadow, and a million East Berliners were thronging to the West to shop with an allowance given them by West German banks! At that moment the whole world saw how materialism had lost its awesome historic power and become a shopping list.”
—John Berger (b. 1926)