Western Classical
There is a long tradition of western classical music, both instrumental and choral, dating back to the colonial era under the British. The Trinidad & Tobago Music Festival is a primary showcase for these art forms. Choral groups, steelband and traditional western orchestras, smaller ensembles, music schools and programmes, and others stage shows at venues around the country, particularly at the Queen's Hall in Port of Spain; the University of the West Indies (St. Augustine Campus); Central Bank Auditorium ; Simon Bolivar auditorium; churches and cathedrals; and at the new National Academy for the Performing Arts (NAPA), which completed construction in late 2009. Popular proponents of the Western Classical form include the St Augustine Chamber Orchestra/Trinidad and Tobago Youth Philharmonic (the largest symphony orchestra and largest youth orchestra in the English-speaking Caribbean), Marionettes Chorale, Lydian Singers and UWI Festival Arts Chorale; the National Sinfonia and the National Steel Symphony Orchestra; and the Classical Music Development Foundation, among others.
Read more about this topic: Music Of Trinidad And Tobago
Famous quotes containing the words western and/or classical:
“When Western people train the mind, the focus is generally on the left hemisphere of the cortex, which is the portion of the brain that is concerned with words and numbers. We enhance the logical, bounded, linear functions of the mind. In the East, exercises of this sort are for the purpose of getting in tune with the unconscious—to get rid of boundaries, not to create them.”
—Edward T. Hall (b. 1914)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)