Music of Norway - Classical Music - Post World War II

Post World War II

After World War II, Norwegian music began moving in a new direction, away from the Nordic and Germanic ideals of the past, and towards a more international, especially American, British and French, style. Norwegian composers were influenced by a wider variety of styles that included serialism, neo-expressionism, aleatory and electronic music. New composers of this period included Johan Kvandal, Knut Nystedt, Edvard Hagerup Bull and Egil Hovland. Of especial importance was French neo-classicism, Paul Hindemith and Béla Bartók. During this period, serial music appeared in Norway, led by Finn Mortensen. Later, avant garde composers like Arne Nordheim took advantage of technological developments, using a variety of electronic effects and bizarre instrumentation. Arne Nordheim "is the most important composer of the post-war era". Ever since 1950, Nordheim has had immense influence on Norwegian cultural life. His most famous pieces have served as milestone for contemporary Norwegian music.

Much of the Norwegian public did not appreciate the new direction these avant-garde composers were moving in, which helped to fuel a conservative backlash. Some composers, like Kåre Kolberg, reacted by writing simple music, while others, such as Alfred Janson and Ragnar Søderlind, revived romanticism. Some music from this era attempted to address social and political concerns, such as Janson's dedication of a violin concerto to Chilean president Salvador Allende.

By the end of the first decade of the 21st century, Norwegian classical music had become very diverse, incorporating elements from throughout the country's documented musical history, as well as modern jazz, pop and rock. Composers of the last part of the 20th century include Olav Anton Thommessen, Per Christian Jacobsen, Magne Hegdal, Åse Hedstrøm, Asbjørn Schaatun, Tor Halmrast, Glenn Erik Haugland, Nils Henrik Asheim, Cecille Ore and Ketil Hvoslef. Popular and classical attention to folk music has also continued through the work of composers like Lasse Thoresen.

Norway currently supports several orchestras of various sizes. There are two "national orchestras". Founded in 1765, Bergen Philharmonic Orchestra (Norway's oldest symphony orchestra), which Grieg once used to conduct, is together with Oslo Philharmonic Orchestra, established in 1919, the leading orchestras in Norway. In addition, some regional professional orchestras in Norway have been successful: Trondheim Symphony Orchestra, the Stavanger Symphony Orchestra, The Arctic Opera and Philharmonic Orchestra, the Norwegian Radio Orchestra, and the Kristiansand Symphony Orchestra. For the last couple of decades working conditions for professional orchestras in Norway's bigger cities have greatly improved due to construction of larger concert halls, emergence of new conductors. In addition, founded in 1953 the annual Bergen International Festival help spread Norwegian music, often music similar to that of Grieg's, theatre and the pictorial arts, and also receiving international culture. Moreover, other important festivals include International Chamber Music Festival, the Oslo Chamber Music Festival, the Risor Chamber Music Festival and the Kristiansund Opera Festival.

In addition, we have to note that Oslo Philharmonic Orchestra has greatly contributed to Norwegian musical life. Especially, Mariss Jason's impact on Norwegian music, Jason was able to completely change people's idea of what part symphonic music in the Norwegian culture has played. Jason was able to revive symphonic music and make it world famous.

The Norwegian National Opera and Ballet has since the inauguration of their new spectacular house won admiration for their productions and expanded their number of spectators.

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