Music of Dominica

The music of Dominica plays an important role in the social and culture life of the Antillean island of Dominica. The Nature island boasts of Cadence-lypso, a genre developed in Dominica and made popular in the French departments of Martinique and Guadeloupe. It spread through France and was very popular there during the 1970s. Cadence has influenced many other genres including zouk, bouyon (another Dominican creation) and even soca.

Today Dominica's music scene boasts of a variety of genres including all the popular genres of the world. Popular music is widespread, with a number of native Dominican performers gaining national fame in imported genres like calypso, reggae, soca, kompa, zouk and rock and roll. In addition, Dominica's own popular music industry has created a form called bouyon, which combines elements from several styles and has achieved a wide fanbase in Dominica, especially the group WCK (Windward Caribbean Kulture) and KKK (Triple k International). Native musicians in various forms, like reggae (Nasio Fontaine, Lazo, Brother Matthew Luke and Ras Trevy), soca (Derick St. Rose-De Hunter, Young Bull), zouk (Ophelia Marie, Michele Henderson), Cadence-Lypso (Exile One, Grammacks) and calypso (The Wizzard, Levi "Super L" Loblack), have also become stars at home and abroad.

Like the other Francophone musics of the Lesser Antilles, Dominican folk music is a hybrid of African and European elements. The quadrille is an important symbol of French Antillean culture, and is, on Dominica, typically accompanied by a kind of ensemble called a jing ping band. In addition, Dominica's folk tradition includes folk songs called bélé, traditional storytelling called kont, masquerade, children's and work songs, and Carnival music.

Until the late 1950s, the Afro-Dominican culture of most of the island was repressed by the colonial government and the influence of the Roman Catholic Church, both of which taught that African-derived music was evil, demonic and uncultured. This perception changed in the mid- to late 20th century, when Afro-Dominican culture came to be celebrated through the work of promoters like Cissie Caudeiron.