History
The documented history of music in Baltimore extends to the 1780s. Little is known about the cultural lives of the Native Americans who formerly lived along the Chesapeake Bay, prior to the founding of Baltimore. In the colonial era, opera and theatrical music were a major part of Baltimorean musical life, and Protestant churches were another important avenue for music performance and education. Baltimore rose to regional performance as an industrial and commercial center, and also become home to some of the most important music publishing firms in colonial North America. In the 19th century, Baltimore grew greatly, and its documented music expanded to include an abundance of African American music, and the city's denizens played a crucial role in the development of gospel music and jazz. Musical institutions based in Baltimore, including the Peabody Institute and the Baltimore Symphony Orchestra, became fixtures in their respective fields, music education and Western classical music. Later in the 20th century, Baltimore produced notable acts in the fields of rock, R&B and hip hop.
Read more about this topic: Music Of Baltimore
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“When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart, some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by hand—a center of gravity.”
—Adrienne Rich (b. 1929)
“The true theater of history is therefore the temperate zone.”
—Georg Wilhelm Friedrich Hegel (1770–1831)
“The history is always the same the product is always different and the history interests more than the product. More, that is, more. Yes. But if the product was not different the history which is the same would not be more interesting.”
—Gertrude Stein (1874–1946)