Education
In the public school system of Baltimore city, music education is a part of each grade level to high school, at which point it becomes optional. Beginning in first grade, or approximately six years old, Baltimore students begin to learn about melody, harmony and rhythm, and are taught to echo short melodic and rhythmic patterns. They also begin to learn about different musical instruments and distinguish between different kinds of sounds and types of songs. As students progress through the grades, teachers go into more detail and require more proficiency in elementary musical techniques. Students perform rounds in second grade, for example, while movement (i.e. dance) enters the curriculum in third grade. Beginning in middle school in the sixth grade, students are taught to make mature aesthetic judgements, and to understand and respond to a variety of forms of music. In high school, students may choose to take courses in instrumentation or singing, and may be exposed to music in other areas of the curriculum, such as in theater or drama classes.
Public school instruction in music in Baltimore began in 1843. Prior to that, itinerant and professional singing masters were the dominant form of formal music education in the state. Music institutions like the Baltimore Symphony Orchestra sometimes have programs aimed at youth education, and other organizations have a similar focus. The Eubie Blake Center exists to promote African American culture, and music, to both youth and adults, through dance classes for all age groups, workshops, clinics, seminars and other programs.
Read more about this topic: Music Of Baltimore
Famous quotes containing the word education:
“A President must call on many personssome to man the ramparts and to watch the far away, distant posts; others to lead us in science, medicine, education and social progress here at home.”
—Lyndon Baines Johnson (19081973)
“A good education ought to help people to become both more receptive to and more discriminating about the world: seeing, feeling, and understanding more, yet sorting the pertinent from the irrelevant with an ever finer touch, increasingly able to integrate what they see and to make meaning of it in ways that enhance their ability to go on growing.”
—Laurent A. Daloz (20th century)
“Whether talking about addiction, taxation [on cigarettes] or education [about smoking], there is always at the center of the conversation an essential conundrum: How come were selling this deadly stuff anyway?”
—Anna Quindlen (b. 1952)