Music History Of The United States During The Colonial Era
Native Americans had no indigenous traditions of classical music, nor a secular song tradition. Their music was spiritual in nature, performed usually in groups in a ritual setting important to their religion; for some groups, music was the primary means of worship, and song was regarded as a direct link to the divine. Though many Native Americans claim their songs are unchanged since ancient times, there is no proof of this (due to a lack of written records). Many songs were improvised.
For a long time, and continuing into the present, many American beginner's guides to learning the piano contain a song purported to be Native American in origin. In reality, these songs have little or no relationship to actual Native American styles, and are merely a vehicle to introduce left-handed repeated harmonic fifths or the minor mode in the melody.
It was not until the 1890s that Native American music began to enter the American establishment. At the time, the first pan-tribal cultural elements, such as powwows, were being established, and composers like Edward MacDowell and Henry Franklin Belknap Gilbert used Native themes in their compositions. It was not until the much later work of Arthur Farwell, however, that an informed representation of Native music was brought into the American classical scene.
Read more about Music History Of The United States During The Colonial Era: Appalachian Folk Music, New England Colonial Music, European Professionals, Gentleman Amateur Composers, Rural Pennsylvanian Music, African Americans, Further Reading
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