Museu Picasso - History

History

The original idea for the museum came from Picasso’s lifelong friend and secretary, Jaume Sabartés, whom Picasso had given many paintings, drawings, and prints since meeting in 1935. Originally, Sabartés intended to found the museum in Málaga, Picasso’s birthplace. It was Picasso himself who suggested that Barcelona would be more appropriate, given his long standing connections with the city.

On July 27, 1960, Sabartés signed an agreement with the city of Barcelona to found the museum. The museum opened in 1963, with the collection established through Sabartés' donation of 574 works from his personal collection. Other items included works that Picasso had given to the city of Barcelona, such as Harlequin, works previously in the possession of the city’s museum of modern art, and other gifts from Picasso’s friends and collectors. The museum opened under the name of the Sabartés Collection, because of Picasso’s strong opposition to Franco’s regime. In the end, Barcelona mayor Josep Porcioles went against the wishes of the central government in order to open the museum. When it opened, the museum was located in Palau Aguilar on Montcada Street. In this era, the collection consisted mainly of the personal collection Sabartés, some lithographs, and posters. Other donations during the museum's first year included a book of engravings made by Picasso of Ovid's Metamorphoses, donated by Salvador Dalí, as well as a collage given by Dali Gala, titled No, 1913. In subsequent years, the collection was expanded with donations, including 7-drawings dated between 1899 and 1904 given by Junyer Sebastian Vidal.

Read more about this topic:  Museu Picasso

Famous quotes containing the word history:

    Perhaps universal history is the history of the diverse intonation of some metaphors.
    Jorge Luis Borges (1899–1986)

    This above all makes history useful and desirable: it unfolds before our eyes a glorious record of exemplary actions.
    Titus Livius (Livy)

    The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.
    Walter Bagehot (1826–1877)