Portrayals in Popular Culture
Zia has been portrayed in English language popular culture a number of times including:
- In the comic Shattered Visage, it is implied that Zia's death was orchestrated by the same intelligence agency that ran The Village from the show The Prisoner.
- Zia was portrayed by Indian actor Om Puri in the 2007 film Charlie Wilson's War.
- Zia is caricatured as one of the main protagonists in Mohammed Hanif's 2008 satirical novel A Case of Exploding Mangoes which is loosely based around the events of his death.
- Zia is the basis for the character General Hyder in Salman Rushdie's novel Shame (1983), which describes Zia's long-lasting relationship with Zulfikar Ali Bhutto (here known as Iskander Harrapa), the president whom he would later overthrow and "put to death".
- Muhammad Zia-ul-Haq's takeover of Pakistan and circumstances of his death were referenced in the Star Trek novel The Rise and Fall of Khan Noonien Singh, Volume One. In a prelude to the fictional Eugenics Wars, it is implied that genetically engineered "superman" Khan Noonien Singh arranged the crash.
- The oppressive regime of Zia-ul-Haq and the execution of Zulfikar Ali Bhutto was referenced in the book "Songs of Blood and Sword", a non-fiction memoir by Murtaza Bhutto's daughter Fatima Bhutto with chilling intensity.
Read more about this topic: Muhammad Zia-ul-Haq
Famous quotes containing the words portrayals and/or popular:
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
—Richard Louv (20th century)
“That popular fable of the sot who was picked up dead-drunk in the street, carried to the duke’s house, washed and dressed and laid in the duke’s bed, and, on his waking, treated with all obsequious ceremony like the duke, and assured that he had been insane, owes its popularity to the fact that it symbolizes so well the state of man, who is in the world a sort of sot, but now and then wakes up, exercises his reason and finds himself a true prince.”
—Ralph Waldo Emerson (1803–1882)