Motley Theatre Design Group

Motley Theatre Design Group

Motley was the name of the theatre design firm made up of three English designers, sisters Margaret Harris (known as "Percy") (1904–2000) and Sophie Harris (1900–1966), and Elizabeth Montgomery Wilmot (1902–1993). The name derives from the word 'Motley' as used by Shakespeare. The group won two Tony Awards for costume design and was nominated seven additional times.

They met at art school in the 1920s and went on to great success as John Gielgud's designers during the 1930s. They started teaching theatre design at Michel Saint-Denis's London Theatre Studio (1936–1939), the first time a design course had been incorporated into a drama school in the UK. Margaret Harris and Elizabeth Montgomery spent World War II in the United States, designing for Broadway, and Harris also worked with Charles Eames on his moulded plywood airplane parts. Sophie Harris, now married to George Devine, and mother of their child Harriet, stayed in the UK designing for stage and screen. After the war Margaret Harris returned to the UK, and both sisters once again joined Saint-Denis, teaching design at the Old Vic Theatre School (1947–1953). Elizabeth Montgomery stayed in the United States designing for many Broadway productions. All three continued to design under the name "Motley" for both stage and screen.

In 1966, Margaret Harris founded Motley Theatre Design Course which continues to this day, now under the directorship of designer Alison Chitty (OBE).

Read more about Motley Theatre Design Group:  Work (Broadway Selected)

Famous quotes containing the words motley, theatre, design and/or group:

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    As I do live by food, I met a fool,
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    And railed on Lady Fortune in good terms,
    In good set terms, and yet a motley fool.
    William Shakespeare (1564–1616)

    Compare ... the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
    John Berger (b. 1926)

    To nourish children and raise them against odds is in any time, any place, more valuable than to fix bolts in cars or design nuclear weapons.
    Marilyn French (20th century)

    I can’t think of a single supposedly Black issue that hasn’t wasted the original Black target group and then spread like the measles to outlying white experience.
    June Jordan (b. 1936)