Motion Picture Association Of America Film Rating System
The Motion Picture Association of America's film-rating system is used in the U.S. and its territories to rate a film's thematic and content suitability for certain audiences. The MPAA rating scheme applies only to films submitted for rating. The MPAA rating system is a voluntary scheme not enforced by law; and films can be exhibited without a rating, though many theaters refuse to exhibit non-rated or X-rated films. Non-members of MPAA may also submit films for rating. Other media (such as television programs and video games) may be rated by other entities. The MPAA rating system is one of various motion picture rating systems used to help parents decide what films are appropriate for their children.
In the United States, the MPAA rating scheme is the most-recognized guide for parents regarding the content of films and each rating has been trademarked by MPAA so that they cannot be used by other organizations. The MPAA system has been criticized for the secrecy of its decisions as well as for perceived inconsistencies.
The MPAA's rating system is administered by the Classification & Ratings Administration (CARA), which is not a government agency. MPAA ratings serve primarily as a consumer suggestion by a group of corporate analysts. After screening films, their personal opinions are used to arrive at one of five ratings. Theater owners voluntarily agree to enforce corporate film ratings as determined by the MPAA, which in turn facilitates their access to new film releases.
Films are often released with different versions and different ratings, as versions that may be unprofitable in theaters may have better success in the home entertainment market (see "Commercial viability of the NC-17 rating" below).
Read more about Motion Picture Association Of America Film Rating System: Ratings, Advertising Materials, Effects of Ratings, Alternative Systems
Famous quotes containing the words motion picture, motion, picture, association, america, film and/or system:
“The motion picture made in Hollywood, if it is to create art at all, must do so within such strangling limitations of subject and treatment that it is a blind wonder it ever achieves any distinction beyond the purely mechanical slickness of a glass and chromium bathroom.”
—Raymond Chandler (1888–1959)
“There’s not the smallest orb which thou behold’st
But in his motion like an angel sings,
Still quiring to the young-eyed cherubins;
Such harmony is in immortal souls,
But whilst this muddy vesture of decay
Doth grossly close it in, we cannot hear it.”
—William Shakespeare (1564–1616)
“... everybody who is human has something to express. Try not expressing yourself for twenty-four hours and see what happens. You will nearly burst. You will want to write a long letter or draw a picture or sing, or make a dress or a garden.”
—Brenda Ueland (1891–1985)
“... a Christian has neither more nor less rights in our association than an atheist. When our platform becomes too narrow for people of all creeds and of no creeds, I myself cannot stand upon it.”
—Susan B. Anthony (1820–1906)
“In countries where associations are free, secret societies are unknown. In America there are factions, but no conspiracies.”
—Alexis de Tocqueville (1805–1859)
“A good film script should be able to do completely without dialogue.”
—David Mamet (b. 1947)
“The North American system only wants to consider the positive aspects of reality. Men and women are subjected from childhood to an inexorable process of adaptation; certain principles, contained in brief formulas are endlessly repeated by the press, the radio, the churches, and the schools, and by those kindly, sinister beings, the North American mothers and wives. A person imprisoned by these schemes is like a plant in a flowerpot too small for it: he cannot grow or mature.”
—Octavio Paz (b. 1914)