Influences
“I was completely taken in by Minimal and Conceptual Art when I was on my first degree course. Going to University afterwards, which was my first encounter with a large bureaucratic institution, I became involved in analyzing power structures, first in relation to feminism, and then in wider terms as in the relationship between the Third World and the West. This led me to making confrontational issue-based performance works which were fuelled by anger and a sense of urgency. Later, when I got into the area of installation and object making, I wouldn't say I went back to a minimal aesthetic as such, it was more a kind of reductive approach.”
Read more about this topic: Mona Hatoum
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