Plot
Mom and Dad tells the story of Joan Blake (June Carlson), a young girl who falls for the pilot Jack Griffin (Bob Lowell). After being sweet talked by Griffin, she has sex with him. The girl requests "hygiene books" from her mother Sarah Blake (Lois Austin); however, the mother refuses because the girl is not yet married. The girl later learns from her father Dan Blake (George Eldredge) that the pilot has died in a crash. She tears up a letter she had been writing to him, and lowers her head as the film fades into intermission.
The film resumes at the point when the girl discovers that her clothes no longer fit, sending her into a state of despair. She takes advice from her teacher, Carl Blackburn (Hardie Albright), who had previously been fired for teaching sex education. Blackburn blames her mother for the problem, and accuses her of "neglect the sacred duty of telling their children the real truth." Only then is the girl able to confront her mother.
The film then presents reels and charts that include graphic images of the female anatomy and footage of live births - one natural and one Caesarian. In some screenings, a second film was shown along with Mom and Dad, and contained images portraying syphilis and venereal disease. Mom and Dad is believed to have had a number of endings, although most typically concluded with the birth of the girl's child, sometimes stillborn and other times put up for adoption.
Read more about this topic: Mom And Dad
Famous quotes containing the word plot:
“Trade and the streets ensnare us,
Our bodies are weak and worn;
We plot and corrupt each other,
And we despoil the unborn.”
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“There saw I how the secret felon wrought,
And treason labouring in the traitor’s thought,
And midwife Time the ripened plot to murder brought.”
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“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)