Mitchell Brothers O'Farrell Theatre - Operation

Operation

The O'Farrell Theatre is open seven days a week and nearly every evening of the year. Customers must pay a comparatively steep admission price ($20–$50, depending on the time of day) and no alcoholic beverages are served, although a snack bar operates on the premises. The O'Farrell's main showroom is New York Live!, a continuous striptease show where one performer dances on stage while the others offer lap dances by asking customers, "Want some company?" The dancers then actually sit on the men's laps (a practice that is illegal in some other states) and insist on substantial tips ($20 is common). There are several themed rooms, such as the Ultra Room, a peep show-type room where patrons stand in private booths watching women perform with various props such as dildoes; the Green Door Room (named for the Mitchells' classic hardcore film Behind the Green Door and its sequel; it served as the principal set of the latter), the darkened Kopenhagen Lounge, where the customers use flashlights to watch the performances, and private booths of varying sizes (although not all dancers make themselves available for private sessions with customers) and onstage lesbian simulated-sex performances.

At the O'Farrell, male employees (including managers) must adhere to a strict dress code: black bowtie, white shirt, black slacks and black shoes. These sartorial requirements began in 1986 when the O'Farrell's then-general manager, the late Vince Stanich, noticed that all of his male staff members were dressed differently (and often not altogether presentably).

Read more about this topic:  Mitchell Brothers O'Farrell Theatre

Famous quotes containing the word operation:

    You may read any quantity of books, and you may almost as ignorant as you were at starting, if you don’t have, at the back of your minds, the change for words in definite images which can only be acquired through the operation of your observing faculties on the phenomena of nature.
    Thomas Henry Huxley (1825–95)

    An absolute can only be given in an intuition, while all the rest has to do with analysis. We call intuition here the sympathy by which one is transported into the interior of an object in order to coincide with what there is unique and consequently inexpressible in it. Analysis, on the contrary, is the operation which reduces the object to elements already known.
    Henri Bergson (1859–1941)

    Waiting for the race to become official, he began to feel as if he had as much effect on the final outcome of the operation as a single piece of a jumbo jigsaw puzzle has to its predetermined final design. Only the addition of the missing fragments of the puzzle would reveal if the picture was as he guessed it would be.
    Stanley Kubrick (b. 1928)