History
Route 76 was initially designated in 1922, running from south of Spokane to Forsyth. The longer Route 78 passed through Forsyth on its path between Branson and the northeast corner of Taney County. In about 1929, Route 76 was extended west to Reeds Spring, and in the early 1930s Route 78 was extended northeast to Ava. With the extension of Route 80 west from Gainesville in the 1930s or 1940s, Route 78 west of Forsyth became part of Route 80, and the rest was absorbed into Route 76, which now connected Reeds Spring to Ava. US 160, designated in Missouri in the mid-1950s, initially followed Route 80 to Branson. It later moved to Route 76 west of Forsyth, and Route 76 was extended west via Branson, replacing part of Route 148 and much of Route 44. Route 44 had been designated in 1922 from Anderson to Abesville, and later extended west to Tiff City and east to Rockaway Beach. In the late 1950s, it was split up due to I-44, becoming Route 76 west of Cassville, Route 148 from Cassville to Galena, and a new Route 176 from Galena to Rockaway Beach.
Read more about this topic: Missouri Route 76
Famous quotes containing the word history:
“I am ashamed to see what a shallow village tale our so-called History is. How many times must we say Rome, and Paris, and Constantinople! What does Rome know of rat and lizard? What are Olympiads and Consulates to these neighboring systems of being? Nay, what food or experience or succor have they for the Esquimaux seal-hunter, or the Kanaka in his canoe, for the fisherman, the stevedore, the porter?”
—Ralph Waldo Emerson (1803–1882)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)