Criticism
The Minneapolis study was criticized for its methods and its conclusions. The follow-up period of six months may have been too short to capture the episodic and cyclical patterns that can occur with domestic violence. Also, Minneapolis may have been unusual, in that they kept arrestees overnight in jail, whereas in other jurisdictions arrestees might be sent home much quicker.
While the Minneapolis design had many methodological strengths, randomized experiments look at the average causal effects for the group as a whole. Conclusions may be made that apply to most individuals in the group, but not all individuals, with some possibly experiencing negative effects of the intervention. In some cases, arrest may provoke the abuser and increase the possibility of more retributive violence.
The Minneapolis Experiment was based on deterrence theory, which includes the assumption that the offender is making rational decisions. In the case of domestic violence (and many other offenses), offenders often show little rational behavior. In addition, the Minneapolis Experiment did not measure whether being arrested increased the offenders' fear of future sanctions, a crucial element in deterrence theory.
Read more about this topic: Minneapolis Domestic Violence Experiment
Famous quotes containing the word criticism:
“A bad short story or novel or poem leaves one comparatively calm because it does not exist, unless it gets a fake prestige through being mistaken for good work. It is essentially negative, it is something that has not come through. But over bad criticism one has a sense of real calamity.”
—Rebecca West (18921983)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other mens genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“The aim of all commentary on art now should be to make works of artand, by analogy, our own experiencemore, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.”
—Susan Sontag (b. 1933)