Mike Reid (American Football) - Professional Music Career

Professional Music Career

Between football seasons, Reid would perform as a pianist for the Utah Symphony Orchestra, Dallas Symphony Orchestra, and Cincinnati Symphony Orchestra. During this time, he met Larry Gatlin, who helped Reid start his songwriting career. In 1984, he won the Grammy Award for Best Country Song with "Stranger in My House", which was recorded by Ronnie Milsap. Reid would also work with Marie Osmond, Tanya Tucker, Collin Raye, Alabama and Conway Twitty. In the 1980s and 1990s, Reid wrote twelve number one hits. He was also featured as a guest vocalist on Milsap's "Old Folks", a No. 2 hit from early 1988. He also co-wrote, with Allen Shamblin, Bonnie Raitt's standard "I Can't Make You Love Me".

In 1990, Reid signed to Columbia Records as a recording artist. His debut album Turning for Home produced a Number One country hit in its lead-off single "Walk on Faith", although the album's other singles were not as successful. His second and final album, 1992's Twilight Town, produced two singles which both missed the Top 40, and he was dropped from Columbia soon afterward.

By 1991, Reid composed the music for the Civil War musical A House Divided. After that he wrote six more musicals/operas, including Quilts, Different Fields, Eye of the Blackbird, Tales of Appalachia, In This House, and The Ballad of Little Jo, a Richard Rodgers Awards for Musical Theater winner.

Reid was inducted into the Nashville Songwriters Hall of Fame in 2005.

Read more about this topic:  Mike Reid (American Football)

Famous quotes containing the words professional, music and/or career:

    Virtue and vice suppose the freedom to choose between good and evil; but what can be the morals of a woman who is not even in possession of herself, who has nothing of her own, and who all her life has been trained to extricate herself from the arbitrary by ruse, from constraint by using her charms?... As long as she is subject to man’s yoke or to prejudice, as long as she receives no professional education, as long as she is deprived of her civil rights, there can be no moral law for her!
    Flora Tristan (1803–1844)

    If mass communications blend together harmoniously, and often unnoticeably, art, politics, religion, and philosophy with commercials, they bring these realms of culture to their common denominator—the commodity form. The music of the soul is also the music of salesmanship. Exchange value, not truth value, counts.
    Herbert Marcuse (1898–1979)

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)