Michael McClure - Biography

Biography

McClure's first book of poetry, Passage, was published in 1956 by small press publisher Jonathan Williams. His poetry is heavily infused with an awareness of nature, especially in the animal consciousness that often lies dormant in mankind. Not only an awareness of nature, but the poems are organized in an organic fashion, continuing with his appreciation of nature's purity. Stan Brakhage, friend of McClure, stated in Chicago Review that:

"McClure always, and more and more as he grows older, gives his reader access to the verbal impulses of his whole body's thought (as distinct from simply and only brain-think, as it is with most who write). He invents a form for the cellular messages of his, a form which will feel as if it were organic on the page; and he sticks with it across his life..."

McClure has since published eight books of plays and four collections of essays, including essays on Bob Dylan and the environment. His fourteen books of poetry include Jaguar Skies, Dark Brown, Huge Dreams, Rebel Lions, Rain Mirror and Plum Stones. McClure famously read selections of his Ghost Tantra poetry series to the caged lions in the San Francisco Zoo. His work as a novelist includes the autobiographical The Mad Cub and The Adept.

On January 14, 1967, McClure read at the epochal Human Be-In event in Golden Gate Park in San Francisco and transcended his Beat label to become an important member of the 1960s Hippie counterculture. Barry Miles famously referred to McClure as "the Prince of the San Francisco Scene".

McClure would later court controversy as a playwright with his play The Beard. The play tells of a fictional encounter in the blue velvet of eternity between Billy the Kid and Jean Harlow and is a theatrical exploration of his "Meat Politics" theory, in which all human beings are "bags of meat."

Other plays include Josephine The Mouse Singer and VKTMS. He had an eleven-year run as playwright-in-residence with San Francisco's Magic Theatre where his operetta "Minnie Mouse and the Tap-Dancing Buddha" had an extended run. He has made two television documentaries – The Maze and September Blackberries – and is featured in several films including The Last Waltz (dir. Martin Scorsese) where he reads from The Canterbury Tales; Beyond the Law (dir. Norman Mailer); and, most prominently, The Hired Hand (dir. Peter Fonda).

McClure was a close friend of The Doors lead singer Jim Morrison and is generally acknowledged as having been responsible for promoting Morrison as a poet. To this day, McClure still performs spoken word poetry concerts with Doors keyboard player Ray Manzarek and they have released several CDs of their work. McClure is the author of the Afterword in Jerry Hopkins's and Danny Sugerman's seminal Doors biography, No One Here Gets Out Alive. McClure has also released CDs of his work with minimalist composer Terry Riley. McClure’s songs include "Mercedes Benz," popularized by Janis Joplin, and new songs which are being performed by Riders on the Storm, a band that consists of original Doors members Ray Manzarek and Robbie Krieger.

McClure's journalism has been featured in Rolling Stone, Vanity Fair, The L.A. Times and The San Francisco Chronicle. He has received numerous awards, including a Guggenheim Fellowship, an Obie Award for Best Play, an NEA grant, the Alfred Jarry Award and a Rockefeller grant for playwriting. McClure is still active as a poet, essayist and playwright and lives with his second wife, Amy, in the San Francisco Bay Area. He has one daughter from his first marriage to Joanna McClure.