Partial List of MiMo Buildings
- This list is incomplete; you can help by expanding it.
- Bacardi Building (Enrique Gutierrez, 1963) - 2100 Biscayne Boulevard
- King Cole Condominium (Melvin Grossman, 1961) - 900 Bay Dr.
- Biscayne Plaza Shopping Center (Robert Fitch Smith, 1953) - 7900 Biscayne Boulevard
- New Yorker Boutique Hotel (Norman Giller, 1953) - 6500 Biscayne Boulevard
- The Creek South Beach Motel (Originally Ankara Motel) (Reiff & Feldman, 1954) - 2360 Collins Avenue
- Crystal House (Morris Lapidus, 1960) - 5055 Collins Avenue
- Deco Palm Apartments (Gilbert Fein, 1958) – 6930 Rue Versailles
- Dupont Plaza Center (Petersen & Shuflin, 1957) - 300 Biscayne Boulevard Way (demolished in 2004 to give way to the EPIC Miami Residences and Hotel).
- International Inn (Melvin Grossman, 1956) - 2301 Normandy Drive, Normandy Isle
- Jackie Gleason House (Lester Avery, 1959) – 2232 Alton Road
- Lincoln Road Mall (Morris Lapidus, 1960)
- Miami Herald (Naess & Murphy, 1960) – One Herald Plaza
- Pepsi-Cola Bottling Pavilion (Daverman & Associates c: 1965) -7777 NW 41st Street
- Shalimar Motel (Edwin Reeder, 1950) - 6200 Biscayne Boulevard
- Simbad Motel (1953) - 6150 Biscayne Boulevard
- South Pacific Motel (1953) - 6300 Biscayne Boulevard
- Thunderbird Motel (Norman Giller, 1955) - 18401 Collins Avenue
- Union Planters Bank (Francis Hoffman, 1958) – 1133 Normandy Drive
- Vagabond Motel (Robert Swartburg, 1953) - 7301 Biscayne Boulevard
Read more about this topic: Miami Modern Architecture
Famous quotes containing the words partial, list and/or buildings:
“We were soon in the smooth water of the Quakish Lake,... and we had our first, but a partial view of Ktaadn, its summit veiled in clouds, like a dark isthmus in that quarter, connecting the heavens with the earth.”
—Henry David Thoreau (1817–1862)
“Modern tourist guides have helped raised tourist expectations. And they have provided the natives—from Kaiser Wilhelm down to the villagers of Chichacestenango—with a detailed and itemized list of what is expected of them and when. These are the up-to- date scripts for actors on the tourists’ stage.”
—Daniel J. Boorstin (b. 1914)
“The American who has been confined, in his own country, to the sight of buildings designed after foreign models, is surprised on entering York Minster or St. Peter’s at Rome, by the feeling that these structures are imitations also,—faint copies of an invisible archetype.”
—Ralph Waldo Emerson (1803–1882)