Merry Mount is an opera in three acts by American composer Howard Hanson; its libretto, by Richard Stokes, is loosely based on Nathaniel Hawthorne's short story "The Maypole of Merry Mount", taken from his Twice Told Tales. Hanson's only opera, it was commissioned by the Metropolitan Opera in New York City.
The opera received its world premiere in concert at the fortieth annual May Festival of the University Musical Society in Ann Arbor, Michigan (at Hill Auditorium), on May 20, 1933, with the composer conducting the Chicago Symphony Orchestra. The cast included Leonora Corona, Rose Bampton, Frederick Jagel, Chase Baromeo, John Charles Thomas, and George Galvani.
Its world stage premiere by the Metropolitan Opera was given on February 10, 1934. As that performance took place at a Saturday matinée, it was broadcast nationally as part of the company's weekly radio series, with Milton Cross serving as announcer. The premiere featured Lawrence Tibbett in the central role of Wrestling Bradford, the Puritan minister, with Gladys Swarthout as his betrothed, Plentiful Tewke. Swedish soprano Göta Ljungberg and Canadian tenor Edward Johnson took the roles of the Cavalier lovers, Lady Marigold Sandys and Sir Gower Lackland; Tullio Serafin was on the podium. The opera was performed eight more times during the season, but never returned to the Met's repertory, and subsequent performances have been scarce.
Read more about Merry Mount: Creation and First Performance, Roles, Reception, Subsequent Popularity, Recordings
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“As every pool reflects the image of the sun, so every thought and thing restores us an image and creature of the supreme Good. The universe is perforated by a million channels for his activity. All things mount and mount.”
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