Maya Moon Goddess - The Moon Goddess in The Post-Classic and Classic Periods

The Moon Goddess in The Post-Classic and Classic Periods

In the three Post-Classic codices, the Moon Goddess is underrepresented. Instead, one finds almanacs devoted to her terrestrial counterpart, the Goddess I ('White Woman'). In Classic Maya art, however, the Moon Goddess occurs frequently. She is shown as a young woman holding her rabbit, and framed by the crescent of the waxing moon, which is her most important, identifying attribute. The Moon Goddess may also be sitting on a throne, alone (as in the Dresden codex), or behind god D (Itzamna). Although, in oral tradition, the goddess is often treated as the consort of the Sun Deity, Classic iconography does not insist on this (see Kinich Ahau). The lunar rabbit (perhaps a Trickster character) has an important role to play in a poorly understood episode involving the Moon Goddess, the Twins, the Maya maize god, and the aged god L. In some cases, the Moon Goddess is fused with the main Maya maize god, making it uncertain whether what we see is a Moon Goddess with a maize aspect (that is, a maize-bringing moon), or a Maize God with a lunar aspect or function.

Read more about this topic:  Maya Moon Goddess

Famous quotes containing the words moon, goddess, classic and/or periods:

    She winks a feeble eye,
    She smiles into corners.
    She smooths the hair of the grass.
    The moon has lost her memory.
    —T.S. (Thomas Stearns)

    Teenage girls are extremists who see the world in black-and- white terms, missing shades of gray. Life is either marvelous or not worth living. School is either pure torment or is going fantastically. Other people are either great or horrible, and they themselves are wonderful or pathetic failures. One day a girl will refer to herself as “the goddess of social life” and the next day she’ll regret that she’s the “ultimate in nerdosity.”
    Mary Pipher (20th century)

    There is a distinction to be drawn between true collectors and accumulators. Collectors are discriminating; accumulators act at random. The Collyer brothers, who died among the tons of newspapers and trash with which they filled every cubic foot of their house so that they could scarcely move, were a classic example of accumulators, but there are many of us whose houses are filled with all manner of things that we “can’t bear to throw away.”
    Russell Lynes (1910–1991)

    At great periods you have always felt, deep within you, the temptation to commit suicide. You gave yourself to it; breached your own defenses. You were a child. The idea of suicide was a protest against life; by dying, you would escape this longing for death.
    Cesare Pavese (1908–1950)