Maya Moon Goddess - The Moon Goddess in The Post-Classic and Classic Periods

The Moon Goddess in The Post-Classic and Classic Periods

In the three Post-Classic codices, the Moon Goddess is underrepresented. Instead, one finds almanacs devoted to her terrestrial counterpart, the Goddess I ('White Woman'). In Classic Maya art, however, the Moon Goddess occurs frequently. She is shown as a young woman holding her rabbit, and framed by the crescent of the waxing moon, which is her most important, identifying attribute. The Moon Goddess may also be sitting on a throne, alone (as in the Dresden codex), or behind god D (Itzamna). Although, in oral tradition, the goddess is often treated as the consort of the Sun Deity, Classic iconography does not insist on this (see Kinich Ahau). The lunar rabbit (perhaps a Trickster character) has an important role to play in a poorly understood episode involving the Moon Goddess, the Twins, the Maya maize god, and the aged god L. In some cases, the Moon Goddess is fused with the main Maya maize god, making it uncertain whether what we see is a Moon Goddess with a maize aspect (that is, a maize-bringing moon), or a Maize God with a lunar aspect or function.

Read more about this topic:  Maya Moon Goddess

Famous quotes containing the words the moon, moon, goddess, classic and/or periods:

    “In the first of the moon,
    All’s a scattering,
    A shining.”
    —Theodore Roethke (1908–1963)

    “It was the most wild and desolate region we had camped in, where, if anywhere, one might expect to meet with befitting inhabitants, but I heard only the squeak of a nighthawk flitting over. The moon in her first quarter, in the fore part of the night, setting over the bare rocky hills garnished with tall, charred, and hollow stumps or shells of trees, served to reveal the desolation.”
    —Henry David Thoreau (1817–1862)

    “God may be in the details, but the goddess is in the questions. Once we begin to ask them, there’s no turning back.”
    —Gloria Steinem (b. 1934)

    “The detective novel is the art-for-art’s-sake of our yawning Philistinism, the classic example of a specialized form of art removed from contact with the life it pretends to build on.”
    —V.S. (Victor Sawdon)

    “Those who weep for the happy periods which they encounter in history acknowledge what they want; not the alleviation but the silencing of misery.”
    —Albert Camus (1913–1960)