The Moon Goddess in The Post-Classic and Classic Periods
In the three Post-Classic codices, the Moon Goddess is underrepresented. Instead, one finds almanacs devoted to her terrestrial counterpart, the Goddess I ('White Woman'). In Classic Maya art, however, the Moon Goddess occurs frequently. She is shown as a young woman holding her rabbit, and framed by the crescent of the waxing moon, which is her most important, identifying attribute. The Moon Goddess may also be sitting on a throne, alone (as in the Dresden codex), or behind god D (Itzamna). Although, in oral tradition, the goddess is often treated as the consort of the Sun Deity, Classic iconography does not insist on this (see Kinich Ahau). The lunar rabbit (perhaps a Trickster character) has an important role to play in a poorly understood episode involving the Moon Goddess, the Twins, the Maya maize god, and the aged god L. In some cases, the Moon Goddess is fused with the main Maya maize god, making it uncertain whether what we see is a Moon Goddess with a maize aspect (that is, a maize-bringing moon), or a Maize God with a lunar aspect or function.
Read more about this topic: Maya Moon Goddess
Famous quotes containing the words moon, goddess, classic and/or periods:
“The moon will run all consciences to cover....”
—Allen Tate (18991979)
“Creations blithe and petaled word
To the lounged goddess when she rose
Conceding dialogue with eyes
That smile unsearchable repose”
—Hart Crane (18991932)
“Instead of stubbornly attempting to use surrealism for purposes of subversion, it is necessary to try to make of surrealism something as solid, complete and classic as the works of museums.”
—Salvador Dali (19041989)
“Those who weep for the happy periods which they encounter in history acknowledge what they want; not the alleviation but the silencing of misery.”
—Albert Camus (19131960)