The Painting
Eakins returned to Philadelphia in July 1870, following four years of study at the École des Beaux-Arts in Paris. He was a witness to Schmitt's victory in October. The painting's composition echoes the event by reproducing the weather conditions and position of the sun at the date and time of Schmitt's triumph. Rather than in the midst of the competition, Schmitt is depicted nearly at rest – dragging his oars with the disappearing eddies of his course visible in the water. The location is just downstream of the Columbia Railroad Bridge, the site of the turn in the race.
Eakins, who was also a keen oarsman, painted himself as the rower in the middle distance. He signed the painting – "Eakins, 1871" – on the stern of his scull. This was the first of his almost thirty rowing works – sketches, oil paintings, watercolors, perspective drawings – created by the end of 1874.
The painting shows the influences of his tutors in France, Jean-Léon Gérôme and Léon Bonnat, and of Diego Velázquez, the Spanish artist.
Read more about this topic: Max Schmitt In A Single Scull
Famous quotes containing the word painting:
“This is the essential distinction—even opposition—between the painting and the film: the painting is composed subjectively, the film objectively. However highly we rate the function of the scenario writer—in actual practice it is rated very low—we must recognize that the film is not transposed directly and freely from the mind by means of a docile medium like paint, but must be cut piece-meal out of the lumbering material of the actual visible world.”
—Sir Herbert Read (1893–1968)
“It is not a certain conformity of manners that the painting of Van Gogh attacks, but rather the conformity of institutions themselves. And even external nature, with her climates, her tides, and her equinoctial storms, cannot, after van Gogh’s stay upon earth, maintain the same gravitation.”
—Antonin Artaud (1896–1948)