Theatre
| Year | Play | Role | Writer/Director | Venue or Company |
|---|---|---|---|---|
| 2012 | Look Back in Anger | Jimmy | John Osborne/Sam Gold | Roundabout Theatre Company |
| 2004 | MacBeth | MacDuff | William Shakespeare/Bill Alexander (director) | The Young Vic |
| 2004 | King Lear | Edmund | William Shakespeare/Bill Alexander (director) | Royal Shakespeare Company |
| 2004 | Romeo and Juliet | Romeo | William Shakespeare/Peter Gill (playwright) | Royal Shakespeare Company |
| 2003 | Under Milk Wood | Mog Edwards | Dylan Thomas/Michael Bogdanov | New Theatre (Cardiff) |
| 2002 | The Associate | Tiny | Simon Bent | Royal National Theatre |
| 2000 | The Graduate | Benjamin Braddock | Charles Webb (author)/Terry Johnson (dramatist) | Gielgud Theatre |
| 1997 | Stranger's House (Fremdes Haus) | Yanne | Dea Loher/Mary Peate | Royal Court Theatre |
| 1997 | One More Wasted Year | Pierre | Christophe Pellet/Mary Peate | Royal Court Theatre |
| 1997 | Grace Note | Nick | Samuel Adamson/Dominic Dromgoole | The Old Vic |
| 1997 | Cardiff East | Tommy | Peter Gill (playwright) | Royal National Theatre |
Read more about this topic: Matthew Rhys
Famous quotes containing the word theatre:
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1859–1924)
“As in a theatre the eyes of men,
After a well-graced actor leaves the stage,
Are idly bent on him that enters next,
Thinking his prattle to be tedious,
Even so, or with much more contempt, men’s eyes
Did scowl on gentle Richard.”
—William Shakespeare (1564–1616)
“Mankind’s common instinct for reality ... has always held the world to be essentially a theatre for heroism. In heroism, we feel, life’s supreme mystery is hidden. We tolerate no one who has no capacity whatever for it in any direction. On the other hand, no matter what a man’s frailties otherwise may be, if he be willing to risk death, and still more if he suffer it heroically, in the service he has chosen, the fact consecrates him forever.”
—William James (1842–1910)