Mary Carpenter - Works

Works

  • Morning and Evening Meditations, for Every Day in a Month. Boston: Wm. Crosby & H. P. Nichols, 1848
  • Memoir of Joseph Tuckerman, D.D., of Boston (U.S.). London: Christian Tract Society, 1849
  • Reformatory Schools: For the Children of the Perishing and Dangerous Classes and for Juvenile Offenders. London: C. Gilpin, 1851
  • Juvenile Delinquents, their Condition and Treatment. London: W. & F. G. Cash, 1853
  • Reformatories for Convicted Girls. Transactions of the National Association for the Promotion of Social Science, pp. 338–346, 1860
  • Six Months in India. London: Longmans, Green and Co, 1868
  • Female Life in Prison with Robinson, Frederick William. London: Hurst and Blackett, 1862
  • Our Convicts. London: Longman, Green, Longman, Roberts & Green, 1864
  • The Last Days in England of the Rajah Rammohun Roy. London: Trubner and Co, 1866
  • Reformatory Prison Discipline: As Developed by the Rt. Hon. Sir Walter Crofton, in the Irish Convict Prisons with Crofton, William. London: Longmans, Green and Co, 1872
  • Memoir of the Rev. Lant Carpenter, LL.D. with Russell Lant Carpenter. London: E.T. Whitfield, 1875
  • An address on prison discipline and juvenile reformatories. W. Jones, 1876

Read more about this topic:  Mary Carpenter

Famous quotes containing the word works:

    “One of the surest evidences of an elevated taste is the power of enjoying works of impassioned terrorism, in poetry, and painting. The man who can look at impassioned subjects of terror with a feeling of exultation may be certain he has an elevated taste.”
    —Benjamin Haydon (1786–1846)

    “We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
    —Clive Bell (1881–1962)

    “The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.”
    —Herman Melville (1819–1891)