Solo Career
Later, when the Weather Girls disbanded, Wash continued to lend her vocals to various dance and house music tracks. Several of them became massive pop, R&B and dance hits. She sang lead vocals on all three of Black Box's U.S. top-forty hits, including the top-ten smashes "Everybody Everybody" and "Strike It Up," as well as "I Don't Know Anybody Else," which charted at #23 in the United States. Wash, however, was not featured in any of the music videos as it was customary for Katrin Quinol, a French model, to be used to lip-sync the lyrics. All three of these hit singles continued to receive regular club-play and mainstream radio airplay as of late April 2010. In addition, Wash sang lead vocals on the lesser-known Black Box tracks, "Fantasy," which charted at #5 in Great Britain, "Open Your Eyes," and "Hold On." All six of these songs appear on the Black Box album Dreamland. Also, she performed uncredited lead vocals on Seduction's "You're My One and Only (True Love)," and lead vocals on C+C Music Factory's "Gonna Make You Sweat (Everybody Dance Now)," which hit #1 on the Billboard Hot 100 in 1991.
Read more about this topic: Martha Wash
Famous quotes containing the words solo and/or career:
“All mothers need instruction, nurturing, and an understanding mentor after the birth of a baby, but in this age of fast foods, fast tracks, and fast lanes, it doesn’t always happen. While we live in a society that provides recognition for just about every life event—from baptisms to bar mitzvahs, from wedding vows to funeral rites—the entry into parenting seems to be a solo flight, with nothing and no one to mark formally the new mom’s entry into motherhood.”
—Sally Placksin (20th century)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)