Cultural Markedness
Since a main component of markedness is the information content and information value of an element, some studies have taken markedness as an encoding of that which is unusual or informative. Conceptual familiarity with cultural norms provided by familiar categories creates a ground against which marked categories provide a figure, opening the way for markedness to be applied to cultural and social categorization.
As early as the 1930s Jakobson had already suggested applying markedness to all oppositions, explicitly mentioning such pairs as life/death, liberty/bondage, sin/virtue, and holiday/working day. Linda Waugh extended this to oppositions like male/female, white/black, sighted/blind, hearing/deaf, heterosexual/homosexual, right/left, fertility/barrenness, clothed/nude, and spoken language/written language. Battistella expanded this with the demonstration of how cultures align markedness values to create cohesive symbol systems, illustrating with examples based on Joseph Needham’s work. Other work has applied markedness to stylistics, music, myth.
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Famous quotes containing the word cultural:
“They’re semiotic phantoms, bits of deep cultural imagery that have split off and taken on a life of their own, like those Jules Verne airships that those old Kansas farmers were always seeing.... Semiotic ghosts. Fragments of the Mass Dream, whirling past in the wind of my passage.”
—William Gibson (b. 1948)