Eurythmy and Speech Formation
Starting in 1912, the art of eurythmy was developed by Rudolf Steiner. Under Marie Steiner-von Sivers' guidance, it developed in three directions, as a stage art, as an integral part of Waldorf pedagogy, and as a therapeutic method. Under her tutelage, two schools of eurythmy were founded, in Berlin and in Dornach, Switzerland.
Marie von Sivers was trained in recitation and elocution and made a study of purely artistic speaking. She gave introductory poetry recitals at Steiner's lectures and assisted him in the development of the four Mystery Dramas (1910-1913). With her help, Steiner conducted several speech and drama courses with the aim of raising these forms to the level of true art.
Read more about this topic: Marie Steiner-von Sivers, Life and Work
Famous quotes containing the words speech and/or formation:
“If the oarsmen of a fast-moving ship suddenly cease to row, the suspension of the driving force of the oars doesn’t prevent the vessel from continuing to move on its course. And with a speech it is much the same. After he has finished reciting the document, the speaker will still be able to maintain the same tone without a break, borrowing its momentum and impulse from the passage he has just read out.”
—Marcus Tullius Cicero (106–43 B.C)
“Those who were skillful in Anatomy among the Ancients, concluded from the outward and inward Make of an Human Body, that it was the Work of a Being transcendently Wise and Powerful. As the World grew more enlightened in this Art, their Discoveries gave them fresh Opportunities of admiring the Conduct of Providence in the Formation of an Human Body.”
—Joseph Addison (1672–1719)