Marian Art in The Catholic Church - Early Veneration

Early Veneration

Early veneration of Mary is documented in the Catacombs of Rome. In the catacombs paintings show the Blessed Virgin with her son. More unusual and indicating the burial ground of Saint Peter, was the fact that excavations in the crypt of Saint Peter discovered a very early fresco of Mary together with Saint Peter. The Roman Priscilla catacombs contain the known oldest Marian paintings, dating from the middle of the second century In one, Mary is shown with the infant Jesus on her lap. The Priscilla catacomb also includes the oldest known fresco of the Annunciation, dating to the 4th century.

After the Edict of Milan in 313 Christians were permitted to worship and build churches openly. The generous and systematic patronage of Roman Emperor Constantine I changed the fortunes of the Christian church, and resulted in both architectural and artistic development. The veneration of Mary became public and Marian art flourished. Some of the earliest Marian churches in Rome date to the 5th century, such as Santa Maria in Trastevere, Santa Maria Antiqua and Santa Maria Maggiore, and these churches were in turn decorated with significant works of art through the centuries. The interaction of Marian art and church construction thus influenced the development of Marian art.

The Virgin Mary has since become a major subject of Western Art. Masters such as Michelangelo, Botticelli, Leonardo da Vinci, Giotto, Duccio and others produced masterpieces with Marian themes.

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Famous quotes containing the words early and/or veneration:

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