Malcolm Afford - Professional Life - Posthumous Publications

Posthumous Publications

• Negotiation

In early 1960, Thelma Afford endeavoured to obtain a Commonwealth Literary Fund grant to support posthumous publication of a book of Max Afford’s stage plays. Tom Inglis Moore was in charge of the negotiation of its guarantee. Moore was a member (1945–71) of the advisory board of the Commonwealth Literary Fund. He championed the cause of hundreds of authors and numerous literary journals, and acted as an advocate for left-wing writers in the 1950s. Freddie Howe, head of HarperCollins), proposed the CLF sponsor a collection of three plays and submitted it to Mr. W. R. Cumming, Secretary of the CLF, along with the manuscripts. The amount required for guarantee varies from about £80 to £100 for small works up to £500 or more for very large works, while Thelma thought of a guarantee from £200 to £300. Howe was doubtful about publishing the plays since the amount of publishing and preadvertising costs had been far heavier than his expectation. Moore, however, considered it practical and beneficial as CLF had just approved a new scheme of helping publishers with literary, not commercial, books. Collins should not lose out for the publication. Thelma then gave a book of Afford’s radio plays to Sam Ure Smith, an Australian arts publisher and promoter, just in case Freddie was disinclined to publish the stage plays. At this stage, Thelma insisted on both volumes (the stage plays and the radio plays produced on the ABC) be published. In May, Howe agreed to go ahead with a book of stage plays providing he can obtain the Commonwealth of Australia's sponsorship. With this promise, Thelma decided to drop the attempt to publish radio plays with Sam Ure Smith. In June, Collins brought forward this collection of stage plays with two purposes in mind: First, to present a prestige book as a memorial to the late Max Afford, who won outstanding success as both stage and radio dramatist; Second, to make the plays available in published form for the repertory theatres. Howe submitted the proposition to CLF. The proposition is “quite unacceptable”, said Tom Inglis Moore, “Lowe’s guarantee requested of £1114 is far too high and cannot be entertained. The size of the edition is too large at 2,500 and the retail price too high at £35.” He recommended altering the proposition either by omitting Dark Enchantment to cut down the volume and the costs and to give a better balance of light and serious plays, or by replacing the collection with a series of single volumes suitable for the repertory societies to perform.

• Outcome

An agreement was finally reached: a volume of only two 3 plays: Lady in Danger, Awake My Love and Consulting Room plus an Introduction from Leslie Rees and a Foreword from Sir Richard Boyer. Thelma as the owner of the copyright waived her royalties, which represented a reduction of £437 on the publishing costs; and a less ambitious edition of only 1400.