History
The origin of batik production in Malaysia is not easy to trace. Few historical artifacts exist, but it is known trade relations between the Melayu Kingdom in Jambi and Javanese coastal cities have thrived since the 13th century, the northern coastal batik producing areas of Java (Cirebon, Lasem, Tuban, and Madura) has influenced Jambi batik. This Jambi (Sumatran) batik, as well as Javanese batik, has influenced the batik craft in the Malay peninsula.
According to the Museum of Cultural History of Oslo, it is known for certain that the Javanese influenced Malay batik-making technically as well as in the development of designs. At an early stage the Malaysians used wooden blocks in order to produce batik-like textiles. As late as the 1920s Javanese batik makers introduced the use of wax and copper blocks on Malaysia's east coast. The production of hand drawn batik in Malaysia is of recent date and is related to the Javanese batik tulis.
Commercial production started in the 1960s. This craft has developed its own particular aesthetic and design, peculiar to Malaysia. The new Malaysian batik is clearly different from the Javanese tradition of hand-painted batiks.
Malaysian batik can be found on the east coast of Malaysia such as Kelantan, Terengganu and Pahang, while batik in Johor clearly shows Javanese and Sumatran influences since there are a large number of Javanese and Sumatran immigrants in southern Malaysia.
Read more about this topic: Malaysian Batik
Famous quotes containing the word history:
“The foregoing generations beheld God and nature face to face; we, through their eyes. Why should not we also enjoy an original relation to the universe? Why should not we have a poetry and philosophy of insight and not of tradition, and a religion by revelation to us, and not the history of theirs?”
—Ralph Waldo Emerson (18031882)
“Dont you realize that this is a new empire? Why, folks, theres never been anything like this since creation. Creation, huh, that took six days, this was done in one. History made in an hour. Why its a miracle out of the Old Testament!”
—Howard Estabrook (18841978)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)