Malay People - Culture - Literature

Literature

Main articles: Malay literature and Malay folklore

The rich oral literature and classical literature of the Malays contain a great number of portraits of the people, from the servant to the minister, from the judge to the Rajas, from the ancient to the very contemporary periods, which together form the amorphous identity of the Malays.

Considering the softness and mellifluence of the Malay language, which lends itself easily to the requirements of rhyme and rhythm, the originality and beauty in Malay literature can be assessed in its poetical elements. Among the forms of poetry in Malay literature are – the Pantun, Syair and Gurindam. The earliest form of Malay literature was the oral literature and its central subjects are traditional folklore relating to nature, animals and people. The folklore were memorized and passed from one generation of storytellers to the next. Many of these tales were also written down by penglipur lara (storytellers) for example: Hikayat Malim Dewa, Hikayat Malim Deman, Hikayat Raja Donan, Hikayat Anggun Cik Tunggal, and Hikayat Awang Sulung Merah Muda.

When Indian influences made their way to the Malay Archipelago around 2000 years ago, Malay literature began incorporating Indian elements. Literature of this time is mostly translations of Sanskrit literature and romances, or at least some productions inspired by such, and is full of allusions to Hindu mythology. Probably to this early time may be traced such works as Hikayat Seri Rama (a free translation of the Ramayana), Hikayat Bayan Budiman (an adaptation of Śukasaptati) and Hikayat Panca Tanderan (an adaptation of Hitopadesha).

The era of classical Malay literature started after the arrival of Islam and the invention of Jawi script (Arabic based Malay script). Since then, Islamic beliefs and concepts began to make its mark on Malay literature. The Terengganu Inscription Stone, which is dated to 1303, is the earliest known narrative Malay writing. The stone is inscribed with an account of history, law, and romance in Jawi script. At its height, Melaka sultanate was not only the center of Islamisation, but also the center of Malay cultural expressions including literature. During this era, notable Middle Eastern literary works were translated and religious books were written in Malay language. Among famous translated works are Hikayat Muhammad Hanafiah and Hikayat Amir Hamzah.

The most important piece of Malay literary works is perhaps the famed Malay Annals or Sulalatus Salatin. It was called "the most famous, distinctive and best of all Malay literary works" by one of the most prominent scholars in Malay studies, Sir Richard O. Winstedt. The exact date of its composition and the identity of its original author are uncertain, but under the order of Sultan Alauddin Riaayat Shah III of Johor in 1612, Tun Sri Lanang oversaw the editorial and compilation process of the Malay Annals.

In 19th century, the Malay literature received some notable additions through writings of Abdullah bin Abdul Kadir, a famous Melaka-born munshi of Singapore. Abdullah is regarded as the most cultured Malay who ever wrote, one of the greatest innovators in Malay letters and the father of modern Malay literature. His most important works are the Hikayat Abdullah (an autobiography), Kisah Pelayaran Abdullah ke Kelantan (an account of his trip for the government to Kelantan), and Kisah Pelayaran Abdullah ke Mekah (a narrative of his pilgrimage to Mecca 1854). His work was an inspiration to future generations of writers and marks an early stage in the transition from classical Malay literature to modern Malay literature.

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Famous quotes containing the word literature:

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    Life’s so ordinary that literature has to deal with the exceptional. Exceptional talent, power, social position, wealth.... Drama begins where there’s freedom of choice. And freedom of choice begins when social or psychological conditions are exceptional. That’s why the inhabitants of imaginative literature have always been recruited from the pages of Who’s Who.
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