1956-1975: Early Life and Career Beginnings
Majida El Roumi Baradhy, is the daughter of Lebanese musician Halim El Roumi and wife Marie Loutfi who were a Melkite Greek Catholic couple from Tyre, a city in South Lebanon. They got married in Egypt and lived in Kfarshima and had three girls Maha, Mona, and Majida, and a boy Awad. Halim El Roumi worked with many great singers with mentioning his discovery to many well-known artists, mainly the Lebanese singer Fairuz and introduced her to the talented musicians: the Rahbani brothers. They stayed in Kfarshima, which was home to many Lebanese singers, musicians, poets and writers like Philemon Wehbi, Melhem Barakat and Issam Rajji. The residence of Halim El Roumi in Kfarshima was a meeting place for many cultural figures. Growing up in an artistic environment, Majida listened to the works of Fairuz, Umm Kulthoum, Mohammed Abdel Wahab, Wadih El Safi, and Asmahan. Her vocal abilities attracted the attention of her family and neighbors. When she was 5 years old,she sang her first song which was "Miladak" (Your Birth) in reference to the birth of Jesus Christ and dedicated to her brother.
Raymond Safadi, Majida's cousin, thought that she should pursue singing as a profession. The only obstacle was her father who did not want her to participate in Télé Liban's Studio el fan. Nevertheless, Majida entered the talent show, sang songs for Asmahan like "Ya Toyour" and "Layali El Ouns Fi Vienna" and Leila Mourad's "Ana Albi Dalili". After the good review, Halim El Roumi gave Majida his blessings to pursue singing as a profession as long as she continues her higher education. Later on, Majida received her BA in Arabic Literature from the Lebanese University.
Read more about this topic: Majida El Roumi
Famous quotes containing the words early, life, career and/or beginnings:
“...to many a mother’s heart has come the disappointment of a loss of power, a limitation of influence when early manhood takes the boy from the home, or when even before that time, in school, or where he touches the great world and begins to be bewildered with its controversies, trade and economics and politics make their imprint even while his lips are dewy with his mother’s kiss.”
—J. Ellen Foster (1840–1910)
“At birth man is offered only one choice—the choice of his death. But if this choice is governed by distaste for his own existence, his life will never have been more than meaningless.”
—Jean-Pierre Melville (1917–1973)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“When the beginnings of self-destruction enter the heart it seems no bigger than a grain of sand.”
—John Cheever (1912–1982)