In its first four decades, the LPGA Tour was dominated by American players. Sandra Post of Canada became the first player living outside the United States to gain an LPGA tour card in 1968. The non-U.S. contingent is now very large. The last time an American player topped the money list was in 1993, the last time an American led the tour in tournaments won was in 1996, and from 2000 through 2009, non-Americans won 31 of 40 major championships.
Particularly, one of the notable trends seen in the early 21st century in the LPGA is the rise and dominance of Korean golfers. Se Ri Pak's early success in the LPGA sparked the boom in Korean women golfers on the LPGA Tour. In 2009, there were 122 non-Americans from 27 countries on the tour, including 47 from South Korea, 14 from Sweden, 10 from Australia, eight from the United Kingdom (four from England, three from Scotland and one from Wales), seven from Canada, five from Taiwan, and four from Japan. Of the 33 events in 2006, a total of 11were won by Koreans and only seven were won by Americans. (See 2006 LPGA Tour for more details on the 2006 season.) In 2007, Americans saw a relative resurgence, winning 12 events. For the first time since 2000, two Americans won majors (See 2007 LPGA Tour for more details on the 2007 season.) In 2008, Americans grew in dominance, winning 9 of 34 events, tied with Koreans, but no majors, one of which was won by a Mexican player, one by Taiwanese, and the other two by teenage Korean players (See 2008 LPGA Tour for more details on the 2008 season.) In 2009, Americans won 5 of 28 official events, including one major, the Kraft Nabisco Championship while Koreans won 11 events (See 2009 LPGA Tour for more details on the 2009 season.)
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Famous quotes containing the word presence:
“What is line? It is life. A line must live at each point along its course in such a way that the artists presence makes itself felt above that of the model.... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the souls style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.”
—Jean Cocteau (18891963)