Lower Trenton Bridge - Appearances in Popular Culture

Appearances in Popular Culture

The "TRENTON MAKES THE WORLD TAKES" sign can be seen in

  • the movie Stealing Home when Mark Harmon's bus crosses the bridge
  • the 1983 movie Baby, It's You as part of a road trip to the Jersey Shore
  • the 2007 film Rocket Science
  • the unaired pilot of House
  • Trenton's Poor Righteous Teachers 1990 video of their song "Rock This Funky Joint"
  • the 2012 comedy film One for the Money
  • the 2012 Republican National Convention during Governor Chris Christie's Keynote Address

The Bridge is seen

  • on the cover of The Cryptkeeper Five's 2004 album Trenton Makes.
  • at the end of the film Human Desire (1954) starring Glenn Ford. He is a locomotive engineer who drives a train across the river, so that the sign is visible to viewers of the film.
  • the beginning of the Gangland episode about Trenton
  • in the logo of the Trenton Titans.

Local people sometimes refer to the bridge as the "Trenton Makes" bridge. Prior to the re-decking, the bridge was also referred to as the "Boom Boom" bridge due to the sound made by tires as the vehicle traveled over the expansion joints.

Read more about this topic:  Lower Trenton Bridge

Famous quotes containing the words appearances, popular and/or culture:

    Truth has scarce done so much good in the world as the false appearances of it have done hurt.
    François, Duc De La Rochefoucauld (1613–1680)

    The press is no substitute for institutions. It is like the beam of a searchlight that moves restlessly about, bringing one episode and then another out of darkness into vision. Men cannot do the work of the world by this light alone. They cannot govern society by episodes, incidents, and eruptions. It is only when they work by a steady light of their own, that the press, when it is turned upon them, reveals a situation intelligible enough for a popular decision.
    Walter Lippmann (1889–1974)

    ... there are some who, believing that all is for the best in the best of possible worlds, and that to-morrow is necessarily better than to-day, may think that if culture is a good thing we shall infallibly be found to have more of it that we had a generation since; and that if we can be shown not to have more of it, it can be shown not to be worth seeking.
    Katharine Fullerton Gerould (1879–1944)