Style and Setting
As with any letter, a love letter could be written in any structure or style. One historically popular method is as a sonnet or other form of poem. William Shakespeare's sonnets are often cited as good examples of how to write emotional themes. Structure and suggestions of love letters have formed the subject of many published books, such as the anthology Love Letters of Great Men. 'After reading hundreds of love letters for her collection The Book of Love Cathy N. Davidson confesses, "The more titles I read, the less I was able to generalize about female versus male ways of loving or expressing that love"'.
After the end of a relationship, returning love letters to the sender or burning them can symbolize the pain felt. In the past, love letters also needed to be returned as a matter of honor: a love letter, particularly from a lady, could be compromising or embarrassing later in life, and the use of 'compromising letters...for blackmailing or other purposes' was a Victorian cliche.
Some stationery companies produce paper and envelopes specifically for love letters. Some of these are scented - 'ground up lavender...a whole new sensory experience in letter reading' - though most people prefer to spray them with their own perfume. This emphasizes, in the receiver's mind, the physical connection that occurred between them in this form of communication and thus may strengthen the overall impact of the letter.
Read more about this topic: Love Letter
Famous quotes containing the words style and, style and/or setting:
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)
“Switzerland is a small, steep country, much more up and down than sideways, and is all stuck over with large brown hotels built on the cuckoo clock style of architecture.”
—Ernest Hemingway (1899–1961)
“With wonderful art he grinds into paint for his picture all his moods and experiences, so that all his forces may be brought to the encounter. Apparently writing without a particular design or responsibility, setting down his soliloquies from time to time, taking advantage of all his humors, when at length the hour comes to declare himself, he puts down in plain English, without quotation marks, what he, Thomas Carlyle, is ready to defend in the face of the world.”
—Henry David Thoreau (1817–1862)