History
The school was formed by an association of pioneering women physicians Sophia Jex-Blake, Elizabeth Garrett Anderson, Emily Blackwell and Elizabeth Blackwell with Thomas Henry Huxley. The founding was motivated at least in part by Jex-Blake's frustrated attempts at getting a medical degree at a time when women were not admitted to British medical schools. Other women who had studied with Jex-Blake in Edinburgh joined her at the London school, including Isabel Thorne who became honorary secretary when Jex-Blake withdrew in 1877 and went to start medical practice in Edinburgh where she would found the Edinburgh School of Medicine for Women in 1886.
The 1876 Medical Act was introduced into the British Parliament by Russell Gurney, husband of Emilia Russell Gurney a member of the Kensington Society, and received Royal Assent the same year. The bill extended the 1853 Medical Act to allow all examining authorities to grant registration to physicians regardless of gender.
In 1877, an agreement was reached with the Royal Free Hospital that allowed students at the London School of Medicine for Women to complete their clinical studies there. The Royal Free Hospital was the first teaching hospital in London to admit women for training.
Elizabeth Garrett Anderson was Dean (1883-1903) while the school was rebuilt, became part of the University of London and consolidated the association with the Royal Free Hospital. In 1896, the School was renamed the London Royal Free Hospital School of Medicine for Women.
In 1894, a well known Indian feminist Dr. Rukhmabai qualified in medicine after attending the London School of Medicine for Women. The number of Indian women students increased and by 1920 the school in cooperation with the India Office opened a hostel for Indian women medical students.
In 1998, it merged with the University College Hospital's medical school to form the UCL Medical School.
Read more about this topic: London School Of Medicine For Women
Famous quotes containing the word history:
“American time has stretched around the world. It has become the dominant tempo of modern history, especially of the history of Europe.”
—Harold Rosenberg (1906–1978)
“I believe that in the history of art and of thought there has always been at every living moment of culture a “will to renewal.” This is not the prerogative of the last decade only. All history is nothing but a succession of “crises”Mof rupture, repudiation and resistance.... When there is no “crisis,” there is stagnation, petrification and death. All thought, all art is aggressive.”
—Eugène Ionesco (b. 1912)
“To care for the quarrels of the past, to identify oneself passionately with a cause that became, politically speaking, a losing cause with the birth of the modern world, is to experience a kind of straining against reality, a rebellious nonconformity that, again, is rare in America, where children are instructed in the virtues of the system they live under, as though history had achieved a happy ending in American civics.”
—Mary McCarthy (1912–1989)