The Live Theatre Company is a theatre and company based in Newcastle upon Tyne, England. The company aims to attract new audiences for its accessible work as well as its friendly and informal theatre space.
It was founded in Tyneside in 1973 by Val McLane and Geoff Gillham. The company originally toured its work regionally to non-traditional theatre settings, such as community halls and working men's clubs. The company was creating plays and stories that were relevant to the North East community and sought to break down barriers by presenting this work to ordinary working-class people within their own communities.
The company has been based in Newcastle Quayside since 1982, expanding over the years to occupy the current premises which combine converted warehouses and Almshouses to create a unique building which houses a theatre auditorium, café bar, rehearsal spaces and administrative offices.
Live Theatre develops new writing talent in the region. The company has enjoyed significant relationships with many writers such as CP Taylor, Tom Hadaway, Alan Plater and, more recently, Peter Flannery, Michael Chaplin, Peter Straughan, Julia Darling, Lee Hall, Sean O'Brien and Karen Laws. Many plays have been commissioned and produced over the years which are now known nationally and internationally, such as Close The Coalhouse Door, Cooking with Elvis and A Nightingale Sang.
Live has taken over the lease of a new warehouse building on Broad Chare, immediately adjacent to the previous theatre.
Famous quotes containing the words live, theatre and/or company:
“Blest with each talent, and each art to please,
And born to write, converse, and live with ease”
—Alexander Pope (1688–1744)
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air: the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1858–1924)
“It has lately been drawn to your correspondent’s attention that, at social gatherings, she is not the human magnet she would be. Indeed, it turns out that as a source of entertainment, conviviality, and good fun, she ranks somewhere between a sprig of parsley and a single ice- skate. It would appear, from the actions of the assembled guests, that she is about as hot company as a night nurse.”
—Dorothy Parker (1893–1967)