External Background Area Music
This list is a compilation of tracks that played outside The Great Movie Ride theatre in 2004. It is not a current list but it is complete.
- "Over the Rainbow" - John Williams and the Boston Pops Orchestra
- "Oklahoma! Overture" - Rodgers and Hammerstein
- "Theme from Gone with the Wind" - Max Steiner
- "Singin' in the Rain main title" - MGM Studio Orchestra
- "Theme from Mission: Impossible" - Lalo Schifrin
- Overture and Preludium (The Sound of Music) - Irwin Kostal
- Theme from Superman - John Williams
- Main theme from Star Wars - John Williams
- "Raider's March" from Raiders of the Lost Ark - John Williams
- "Lara's Theme" - MGM Studio Orchestra
- "Singin' in the Rain: main theme" - John Williams and the Boston Pops Orchestra
- "My Fair Lady Overture" - André Previn
- "James Bond Theme" - Monty Norman/John Barry
- "Harry's Wondrous World" - John Williams
- Theme from Air Force One - Jerry Goldsmith
- "Shakespeare in Love: The Beginning of the Partnership" - Stephen Warbeck
- Theme from New York, New York - John Williams and the Boston Pops Orchestra
- "How the West Was Won" - MGM Studio Orchestra conducted by Alfred Newman
- Main title (Captain Blood) - Erich Wolfgang Korngold
- Theme from Chariots of Fire -Vangelis
- Theme from Gigi - MGM Studio Orchestra
- "Prologue" from Harry Potter and the Sorcerer's Stone - John Williams
- Theme from Love Story - Francois Lai
- Theme from Out of Africa - John Barry
- "Love Theme" From Romeo & Juliet - Henry Mancini
- Theme from Somewhere in Time - John Barry
- "The Trolley Song" - Judy Garland
Read more about this topic: List Of The Great Movie Ride Films
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“The boundary line between self and external world bears no relation to reality; the distinction between ego and world is made by spitting out part of the inside, and swallowing in part of the outside.”
—Norman O. Brown (b. 1913)
“Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.”
—Henry David Thoreau (18171862)
“I am aware of the damp souls of housemaids
Sprouting despondently at area gates.”
—T.S. (Thomas Stearns)
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well knownit was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboys pony.”
—Administration in the State of Texa, U.S. public relief program (1935-1943)