A list of films produced in Italy in 1949 (see 1949 in film):
| Title | Director | Cast | Genre | Notes | ||
|---|---|---|---|---|---|---|
| 1949 | ||||||
| 32º giro ciclistico d'Italia | ||||||
| L' Acqua li portò via | ||||||
| Adamo ed Eva | ||||||
| Al diavolo la celebrità | ||||||
| Bitter Rice (Riso amaro) | Giuseppe De Santis | Silvana Mangano, Doris Dowling, Raf Vallone, Vittorio Gassman | Italian neorealism | Academy Award for Best Story nominee | ||
| Catene | Raffaello Matarazzo | Amedeo Nazzari, Yvonne Sanson, Aldo Nicodemi, Teresa Franchini | Melodrama | Huge success. Everyone cries seeing it at Cinema Paradiso | ||
| The Emperor of Capri (L'imperatore di Capri) | Luigi Comencini | Totò | Comedy | |||
| I pirati di Capri/Pirates of Capri/Captain Sirocco | Edgar G. Ulmer | Louis Hayward | Pirates | |||
| In the Name of the Law (In nome della legge) | Pietro Germi | Massimo Girotti, Saro Urzì | Crime drama | |||
| Totò le Mokò | Carlo Ludovico Bragaglia | Totò, Gianna Maria Canale | Comedy | Inspired in Pépé le Moko | ||
| Totò cerca casa | Steno, Mario Monicelli | Totò, Alda Mangini, Lia Molfesi, Mario Gattari | Comedy | Close to Italian neorealism | ||
| It's Forever Springtime (È primavera) | Renato Castellani | Mario Angelotti, Elena Varzi | Italian neorealism | Nastro d'Argento Best script | ||
| The Mill on the River (Il mulino del Po) | Alberto Lattuada | Carla Del Poggio, Jacques Sernas, Giulio Calì, Nino Pavese | Drama | |||
| Heaven over the marshes (Cielo sulle palude) | Augusto Genina | Inés Orsini, Mauro Matteuci, Giovanni Martella | Drama | Venice Award, Nastro d'Argento Best Director | ||
| The Bride Can't Wait (La Sposa non puo attendere) | Gianni Franciolini | Gino Cervi, Gina Lollobrigida | ||||
| The White Line (Cuori senza frontiere ) | Luigi Zampa | Raf Vallone, Gina Lollobrigida | Drama | |||
| Vent'anni | Giorgio Bianchi | |||||
| Vertigine d'amore | Luigi Capuano | |||||
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“Hey, you dress up our town very nicely. You don’t look out the Chamber of Commerce is going to list you in their publicity with the local attractions.”
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“If the study of his images
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This Italian symbol, this Southern landscape, is like
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“Right now I think censorship is necessary; the things they’re doing and saying in films right now just shouldn’t be allowed. There’s no dignity anymore and I think that’s very important.”
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